Senin, 23 Februari 2015

[F367.Ebook] Get Free Ebook Ready Player One, by Ernest Cline

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Ready Player One, by Ernest Cline

Ready Player One, by Ernest Cline



Ready Player One, by Ernest Cline

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Ready Player One, by Ernest Cline

At once wildly original and stuffed with irresistible nostalgia, Ready Player One is a spectacularly genre-busting, ambitious, and charming debut - part quest novel, part love story, and part virtual space opera set in a universe where spell-slinging mages battle giant Japanese robots, entire planets are inspired by Blade Runner, and flying DeLoreans achieve light speed.

It's the year 2044, and the real world is an ugly place.

Like most of humanity, Wade Watts escapes his grim surroundings by spending his waking hours jacked into the OASIS, a sprawling virtual utopia that lets you be anything you want to be, a place where you can live and play and fall in love on any of 10,000 planets.

And like most of humanity, Wade dreams of being the one to discover the ultimate lottery ticket that lies concealed within this virtual world. For somewhere inside this giant networked playground, OASIS creator James Halliday has hidden a series of fiendish puzzles that will yield massive fortune - and remarkable power - to whoever can unlock them.

For years, millions have struggled fruitlessly to attain this prize, knowing only that Halliday's riddles are based in the pop culture he loved - that of the late 20th century. And for years, millions have found in this quest another means of escape, retreating into happy, obsessive study of Halliday's icons. Like many of his contemporaries, Wade is as comfortable debating the finer points of John Hughes's oeuvre, playing Pac-Man, or reciting Devo lyrics as he is scrounging power to run his OASIS rig.

And then Wade stumbles upon the first puzzle.

Suddenly the whole world is watching, and thousands of competitors join the hunt - among them certain powerful players who are willing to commit very real murder to beat Wade to this prize. Now the only way for Wade to survive and preserve everything he knows is to win. But to do so, he may have to leave behind his oh-so-perfect virtual existence and face up to life - and love - in the real world he's always been so desperate to escape.

A world at stake.
A quest for the ultimate prize.
Are you ready?

  • Sales Rank: #17 in Audible
  • Published on: 2011-08-16
  • Format: Unabridged
  • Original language: English
  • Running time: 946 minutes

Most helpful customer reviews

236 of 262 people found the following review helpful.
Torn in Two
By Amazon Customer
This book illustrated the difference between reading as a reader and reading as an author. The crux of the problem: my inner geek fell in love with this book, while the objective side of my mind had a hard time overlooking the flaws. This is an attempt to tackle critique from both viewpoints. Keep that in mind if this review is a bit fractured.

My two sides didn't always war; they agreed on the characters, or rather, the lack thereof. I had difficulty forming a clear view of the characters early on. It took me some time to figure it out, dazzled as I was by the nostalgia rushing through my system: they are stereotypes. The reclusive loner. The so-punk-it-hurts snarky girl who helps the protagonist "level up" at relationships by accepting her despite her one small flaw. The jock. The honorable Japanese character. Cline misses a big chance to make up for this by turning his villains into generic "Bob Evils" of "Evilcorp" stand-in company IOI. We learn that the antagonist once designed video games, but see no hint of how he went from a benign game designer to a soulless murderer. Lost opportunity there.

Unfortunately, pacing presents a problem. Geek mind was pleased with a perceived brisk pace, and wanted to tear right through it. It's tough to give a book bad marks for pacing when that occurs, except Cline stops the show almost every time a pop culture reference comes along, offering a detailed explanation. This might have been meant to help the younger readers, but it murders the pace.

Then we have the plot: it spoke right to my geeky soul. From the book title itself (a reference to the arcade games of my youth) to the numerous 80s film and music references, the author knows his subject matter well and wears it like a badge of honor. He does an okay job of weaving it into the narrative, barring the examples above. I'm also a sucker for a well-done quest plot. This book delivers on the quest plot, big-time. The romance is bland. I never cared for the cardboard cutout that was Art3mis, so it just never connected. The EvilCorp subplot, unfortunately, hit ludicrous levels even for my geek brain, and would have cost it a star even from that point of view.

Writer Brain agrees on the quest plot, but the 80s references? Pandering. Pure and simple. They're not even well done, with some just being pure name drops, a wink and a nudge intended to make me like the book - it's an easy emotional note to play, using the reader's nostalgic emotions as a crutch for the characters' emotions, which are difficult to access. Then there are the ludicrous plot contrivances, especially Parzival's "grand plan". No spoilers here, but you'll know it when you see it and it may drive you mad. Cline clearly painted himself into a corner and found a very far-fetched way out of it using magic tools never-before-mentioned. This happens in other places in the book, like a teenager becoming interested in and thoroughly studying the culture from six decades previous, but this is particularly egregious.

So, we have the cons: relying too heavily on nostalgia, ridiculous plot contrivances, flat characters, and uneven pace. Then come the pros: a story that keeps you reading, a well-done quest plot, and - from my geeky perspective - feeding of the nostalgic urge. Thus, I recommend this book with several caveats. One, you absolutely must have a connection to the 80s. This must come across as a very hollow book without that connection. Two, if you have that connection, it should be a connection of the geekier stripe. Three, be prepared to turn your brain off and enjoy as it you would an action film. If you can do all of that, you might have a blast with it as I did, even while objectively knowing it's a bit iffy.

481 of 564 people found the following review helpful.
This is going to be on my best of the year list
By sb-lynn
Brief summary and review, no spoilers.

The year is 2044 and the world is an unpleasant and grim place. Famine and poverty are rampant, and to escape the bleakness of real life most people choose to instead enter the world of OASIS.

Let me explain OASIS - this is a virtual world that is very elaborate and realistic,and it contains multiple planets and landscapes. It was created in main part by a man named James Halliday, the ultimate lonely computer geek, who was obsessed with the 1980's. Halliday died some time before the start of this story but had stated in his will that his vast fortune would go to the person who could find three magical keys hidden in OASIS, pass the portals associated with them, and then find the ultimate prize - the hidden egg. Over the years many people have searched for these magic keys and gates but none have prevailed. Those who search call themselves gunters. Also at play is a villainess corporation called IOI led by a man named Sorrento - who's agents searching for the egg are called Sixers.

The main protagonist of this story is an 18 year old named Wade Watts. Wade lives in abject poverty with his uncaring and cruel aunt. Because Wade's life is so grim, like so many others he spends almost all of his time in OASIS. It's where he goes to school and it's in OASIS where he meets his friends - avatars named Aech and Art3mis. Because everyone he meets via OASIS is an avatar, it's hard for anyone to distinguish friend from foe.

Because of his real world lack of money and help, Wade has few powers and weapons for his avatar (which he named Parzival, a takeoff of Percival the Knight which was already taken.) Even with this disadvantage, because of his intelligence and his obsession with anything Halliday or 80's related he is able to figure out how to find the first key - the copper one, and figures out how to pass that first gate. The race is on, with other gunters and the Sixers in hot pursuit. The future of OASIS is at risk because Sorrento intends to start charging money for the use of OASIS, which would keep so many offline and unable to access it. And this competition poses real life dangers for the players as well.

This is really a quest novel in the grand tradition of great fantasy literature. We have obstacles to overcome and evil-doers to defeat, and "magic," albeit computer generated, along the way.. There is plenty of action in this book and you will be turning the pages eagerly to read what happens next.

One of the (many) things that makes this book so wonderful are all the 80's references, especially to the video games and music and movies that so many of us fondly remember.

Note - don't worry if you weren't or aren't a big video game player or don't remember a lot about the 80's - if you are it might only add to your enjoyment of this novel but anyone can follow along. The story is both innovative and old-fashioned and it should appeal to anyone who loves to lose themselves inside a good novel.

At heart, this is a book for anyone who has ever felt like an outsider or a geek, and for those of us who love to read. I haven't fallen in love with a book like this in a long time and I hope it gets the recognition and readership that it deserves. As an added plus, and without giving away any spoilers, there is an interesting twist of sorts at the end, that poses an ethical dilemma for anyone wielding power over OASIS.

Highly recommended. Just a magical book with a cast of characters that you will really care about. Even though this takes place in the year 2044, the sense of nostalgia and the world created will take you back in time to the way you felt when you were 18. I promise.

471 of 561 people found the following review helpful.
Have some exposition with your exposition
By owookiee
I'm fairly shocked at all the 5-star reviews on this. The book is a young adult book that is targeted to appeal to 30 and 40-somethings. As such, it falls short for both groups. The young adults can't relive all the 80's references, and the older people have to suffer through the low-level writing just to reminisce about Atari games and Broderick films.

The story had suspense and was interesting, but it is an unfinished product. There is way too much exposition. Pages and pages of this happened, then this happened, and this is why. Everything is just laid out matter-of-factly, and that's a very boring style. All the obstacles faced by the protagonist seemed contrived, and the solutions to them were too convenient; picture the scene in Independence Day where they hack into the Alien ship with a Mac - that's the kind of ridiculous non-thought-out way everything gets resolved. Many other things weren't well thought out - he paints the areas between major cities to be wastelands run by robbers and murderers, yet all the infrastructure is in great shape - the roads are fine, the internet works great, etc. Somehow 30 years from now Saturday Night Live is still on the air and Youtube is still the main portal for sharing videos. The protagonist fills up a "10 zettabyte" USB stick (yes, they're still using slow flash memory in the future!) with data that would probably fill less than a terrabyte, he uses the term for a billion terrabytes just to make it futuristic yet doesn't think through anything else, and this sort of carelessness ruined the book for me in many places.

Despite all this, I think it could make a decent movie, it reads like a script and I wasn't surprised to find out the author is a screenwriter. I just hope they get someone who actually knows technology to consult on it, otherwise like in the book, we'll have people who can use their online avatar intricately like it's their own body despite only interfacing with a powerglove and 3D glasses.

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Sabtu, 21 Februari 2015

[T881.Ebook] Free PDF A Rumor of War, by Philip Caputo

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A Rumor of War, by Philip Caputo

A Rumor of War, by Philip Caputo



A Rumor of War, by Philip Caputo

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A Rumor of War, by Philip Caputo

The classic Vietnam memoir, as relevant today as it was almost thirty years ago.

In March of 1965, Marine Lieutenant Philip J. Caputo landed at Da Nang with the first ground combat unit deployed to Vietnam. Sixteen months later, having served on the line in one of modern history's ugliest wars, he returned home-physically whole but emotionally wasted, his youthful idealism forever gone.

A Rumor of War is more than one soldier's story. Upon its publication in 1977, it shattered America's indifference to the fate of the men sent to fight in the jungles of Vietnam. In the years since then, it has become not only a basic text on the Vietnam War but also a renowned classic in the literature of wars throughout history and, as Caputo explains, of "the things men do in war and the things war does to men."

"A singular and marvelous work." -The New York Times

  • Sales Rank: #52722 in eBooks
  • Published on: 2014-05-13
  • Released on: 2014-05-13
  • Format: Kindle eBook

From Publishers Weekly
20th-anniversary edition of Caputo's memoir of fighting in Vietnam.
Copyright 1996 Reed Business Information, Inc.

Review
“To call it the best book about Vietnam is to trivialize it . . . A Rumor of War is a dangerous and even subversive book, the first to insist—and the insistence is all the more powerful because it is implicit—that the reader ask himself these questions: How would I have acted? To what lengths would I have gone to survive? The sense of self is assaulted, overcome, subverted, leaving the reader to contemplate the deadening possibility that his own moral safety net might have a hole in it. It is a terrifying thought, and A Rumor of War is a terrifying book.”—John Gregory Dunne, Los Angeles Times Book Review

“Caputo’s troubled, searching meditations on the love and hate of war, on fear, and the ambivalent discord warfare can create in the hearts of decent men, are among the most eloquent I have read in modern literature.”—William Styron, The New York Review of Books

“Every war seems to find its own voice: Caputo . . . is an eloquent spokesman for all we lost in Vietnam.”—C. D. B. Bryan, Saturday Review

“A book that must be read and reread—if for no other reason than as an eloquent statement against war. It is a superb book.”—Terry Anderson, Denver Post

“This is news that goes beyond what the journalists brought us, news from the heart of darkness. It was long overdue.”—Newsweek

“Not since Siegfried Sassoon's classic of World War I, Memoirs of an Infantry Officer, has there been a war memoir so obviously true, and so disturbingly honest.”—William Broyles, Texas Monthly

From the Inside Flap
"A singular and marvelous work." -- The New York Times
"Compelling . . . A thoroughly honest view of what the experience of Vietnam meant to a young college graduate, a 'gung-ho' lieutenant in the marine corps who enlisted for the 'heroic experience' of war . . . It is the most eloquent statement yet on what Vietnam was for the lower echelons who had to do the dirty work." -- Seattle Times
"Heartbreaking, terrifying, and enraging . . . It will make the strongest among us weep."
-- Los Angeles Times

Most helpful customer reviews

18 of 18 people found the following review helpful.
Gripping Account at the Grunt Level
By Russell V. Olson Jr.
As a Vietnam veteran and 30-year Army officer, I was slightly conflicted while reading “A Rumor of War.” Caputo gives a detailed, grippingly realistic, and honest account of what combat was like at the small platoon level during the Vietnam War in 1965 - 1966. He does not pull any punches in leveling criticism for mistakes in the war. He also does not cover-up his shortcomings as a marine platoon leader as noted when he lost control of his men in a rampage and when he lost control of himself and sent out a patrol with implicit orders to “assassinate” two suspected Viet Cong. He and five of his marines were court-martialed for the second incident but were found not guilty. I was troubled by his conduct in this “murder” and the subsequent investigation.
While I am proud of my Vietnam service, I am not proud of the pressure that senior leaders put on their subordinates to achieve high body counts. Such pressure led to incidents like those depicted by Caputo.
I wish that Caputo had spent just a bit more time on the last month of the Saigon regime while he was a correspondent for the Chicago Tribune.
My only regret in reading this frank account is that I had not read it earlier.

7 of 7 people found the following review helpful.
A classic indeed. Very highly recommended
By Timothy J. Bazzett
A RUMOR OF WAR, by Philip Caputo.

This is a RE-read for me. I first read Caputo's Vietnam war memoir more than 35 years ago, in a mass market paperback edition, when it was still a pretty new book. Then it was just a very popular and bestselling book. This time I read it in a 1996 Holt Paperback edition, with a front cover caption calling it "The Classic Vietnam Memoir." And it has certainly earned this title, still in print, still much-read. One of the lines I remembered was a comment from a seasoned Korean War veteran, who told the young Lieutenant Caputo - "Before you leave here, sir, you're going to learn that one of the most brutal things in the world is your average nineteen-year-old American boy." And in the madness and heat of combat, young Caputo learned this to be too true. Indeed, he even discovered some of that brutality in himself.

One especially affecting section of the narrative depicts the time that Caputo spent as "Officer in Charge of the Dead," and the fevered, too-real nightmares that went with that job. Another is the unsettling, inebriated feeling he experiences during R&R in Saigon, a feeling that he suddenly realizes is no more than freedom from fear. Similarly, near the end of his tour, he feels it again when he becomes, at least temporarily, indifferent to death.

"It was not a feeling of invincibility; indifference, rather. I had ceased to fear death because I had ceased to care about it. Certainly I had no illusions that my death, if it came, would be a sacrifice. It would merely be a death, and not a good one either ... There were no good deaths in the war."

The real insanity of the war is perhaps best illustrated in Caputo's being brought up on murder charges for a patrol and 'snatch' of suspected VC's he helped to plan. By that time he was not simply indifferent, he was angry, and he could no longer stomach the war.

The flat numbness that was felt by so many veterans of the Vietnam war is well summed up with the final lines of Caputo's story as he takes off on a flight out of Vietnam, bound for home -

"None of us was a hero. We would not return to cheering crowds, parades, and the pealing of great cathedral bells. We had done nothing more than endure. We had survived, and that was our only victory."

Philip Caputo is a fine writer, and yes, this is "The classic Vietnam memoir." Very highly recommended.

- Tim Bazzett, author of the Cold War memoir, SOLDIER BOY: AT PLAY IN THE ASA

2 of 2 people found the following review helpful.
RMD - Rumor of War
By r.doolittle
Every single person in existence should read this book! So much of the Vietnam era is misunderstood. I was discharged from the Army right at the end of Vietnam era ( didn't not go to Vietnam), but,I did protest against the War. And remember, which this generation does understand, the fighting in Vietnam was not considered by the Politicians to be a War!! Why? Why was a conflict as Vietnam was, was not considered a War? Because after President Kennedy was murdered by The Industrialists, (with CIA and NSA help), of this country (USA) a cash cow was created. If Vietnam was concerned to be a War we would have to fight it like a War. Veterans would have to receive the benefits of a War (Medical, and Mental Health, etc) but with a Vietnam Conflict the USA didn't have to do that. Instead all the money could be spent of the War Machine (i.e. Helicopters, Air Planes). This author actually experienced the results of such a political policies.
This book just by his experiences bring out the Truth of the Vietnam War. After you read it have your High Schoolers read it. Don't let History repeat itself.
Just my opinion.

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[K878.Ebook] Ebook Multilayer Flexible Packaging: Technology and Applications for the Food, Personal Care, and Over-the-Counter Pharmaceutical Industries (Pla

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A comprehensive and highly practical survey of the materials, hardware, processes and applications of flexible plastic films.

Aimed at a wide audience of engineers, technicians, managers, purchasing agents and users, Multilayer Flexible Packaging provides a thorough introduction to the manufacturing and applications of flexible plastic films, covering:

  • Materials
  • Hardware and Processes
  • Multilayer film designs and applications

The materials coverage includes detailed sections on polyethylene, polypropylene and additives. The dies used to produce multilayer films are explored in the hardware section, and the process engineering of film manufacture explained, with a particular focus on meeting specifications and targets. The section includes unique coverage of the problematic area of bending technology, providing a unique explanation of the issues involved in the blending of viscoelastic non-Newtonian polymeric materials.

About the author

John R. Wagner, Jr. is President of Crescent Associates, Inc., a consulting firm that specializes in plastic films and flexible packaging. He graduated from the University of Notre Dame with a BS and MS in Chemical Engineering.

  • Sales Rank: #2133436 in Books
  • Published on: 2009-10-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.02" h x .69" w x 8.50" l, 2.00 pounds
  • Binding: Hardcover
  • 258 pages

About the Author
John Wagner is a Director of Crescent Associates, Inc., which specializes in plastic films and flexible packaging. He holds numerous patents on flexible packaging films and coating technology, has contributed to and co-edited The SPE Guide on Extrusion Technology and Troubleshooting and The Plastics Technician’s Toolbox-Extrusion, and is the Editor-in-Chief of the Journal of Plastic Film and Sheeting. He is on the SPE Extrusion Division Board of Directors.

John Wagner is a Director of Crescent Associates, Inc., which specializes in plastic films and flexible packaging. He holds numerous patents on flexible packaging films and coating technology, has contributed to and co-edited The SPE Guide on Extrusion Technology and Troubleshooting and The Plastics Technician’s Toolbox-Extrusion, and is the Editor-in-Chief of the Journal of Plastic Film and Sheeting. He is on the SPE Extrusion Division Board of Directors.

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Minggu, 15 Februari 2015

[R746.Ebook] Fee Download Mr. Trumpet: The Trials, Tribulations, and Triumph of Bunny Berigan (Studies in Jazz), by Michael P. Zirpolo

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Mr. Trumpet: The Trials, Tribulations, and Triumph of Bunny Berigan (Studies in Jazz), by Michael P. Zirpolo

The life of jazz trumpeter Roland Bernard "Bunny" Berigan (1908-1942) resembles nothing less than an ancient Greek tragedy: a heroic figure who rises from obscurity to dizzying heights, touches greatness, becomes ensnared by circumstances, and comes to a disastrous early end. Berigan was intimately involved in the commercial music business of the 1930s and 1940s in New York City. Berigan was a charismatic performer, one of the few musicians in the history of jazz to advance the art. His trumpet artistry made a deep and lasting impression on almost everyone who heard him play, while the body of recorded work he left continues to evoke a wide range of emotions in those who hear it.

Too often writings about the Swing Era skip over the interrelationship between the music business and the music that the giants of jazz created. In Mr. Trumpet: The Trials, Tribulations, and Triumph of Bunny Berigan, Michael Zirpolo takes on this difficult task, exploring connections between the business of music and contemporary music makers and the culture of social dancing that drove it all. Through detailed research and insightful analysis, Zirpolo rectifies many heretofore misunderstood events in Berigan's life and in the Swing Era more generally.

In this panoramic examination of Berigan's personal and professional lives, Mr. Trumpet maps the great musician's role in what was a truly golden age of American popular music and jazz, offering close looks at some of his greatest performances and film work, comprehensive listings of all known broadcast recordings made by Berigan and his bands, as well as numerous previously unpublished photos of the great jazz artist.

  • Sales Rank: #3585835 in Books
  • Published on: 2011-09-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.45" h x 1.79" w x 6.46" l, 2.30 pounds
  • Binding: Hardcover
  • 588 pages

Review
Bunny Berigan was one of the magnificent jazz soloists of the 1930s. After arriving in New York from Wisconsin, his yeoman work in the recording studios and brief but significant stints with the bands of Benny Goodman and Tommy Dorsey led to milestone recordings and enough notoriety for the star trumpeter to start his own big band. The band's failure can be attributed to Berigan's ignorance of how the business worked, and probably to his concurrent and increasingly destructive alcoholism, which led to his death at the age of only 33. This encyclopedic volume painstakingly documents Berigan's entire life and career. Zirpolo built on Robert Dupuis's commendable Bunny Berigan: Elusive Legend of Jazz (CH, Jul'93, 30-6086), and he benefits from extensive research completed since that time, particularly a collection of materials gathered by "Bozy" White. The amount of detail in Zirpolo's account may be overwhelming for a casual reader (extended notes profile many figures of the swing era), but serious fans and scholars will appreciate this definitive biography. The White materials are also scheduled to lead to a biodiscography--a discography being notably absent from the present volume. Summing Up: Highly recommended. All readers who are students or aficionados of jazz. (CHOICE)

A fine addition to your jazz library. (Jazz Journal)

From time to time, the opportunity comes along to praise the dedication and hard work of a respected acquaintance. This is an especially pleasant opportunity when a book exceeds the already high expectations that one may have had in advance of publication. Knowing the writer and the subject matter led me to expect nothing but the best and most informative read. However, having read and considered the contents of the work, I can enthusiastically say that I have just finished an impressive work of professional scholarship that will stand as one of the rare and essential histories of jazz and the big band era. (Examiner)

This book is, no doubt, the last word on Berigan. At 550 pages it is an impressive body of work, thoroughly researched and, befitting its subject, never dull. (Jersey Jazz)

From now on, everyone writing about the great swing and big band trumpeter Bunny Berigan will have to refer to this book. When they do, they just might realize that they should pick out another jazzman to write about: Berigan is covered. Mr. Trumpet is and will be for a long time the definitive biography of this wonderful musician. ... he has done his homework and has created a book that every Bunny Berigan fan will want to keep on their shelves for repeated readings, as well as a book that casual fans of the music of the swing years, the late '20s and '30s, will devour like a slice of lemon meringue pie. ... Mr. Trumpet takes us inside not just a man's life but a whole world that we know only superficially. It's a story worth the telling and a world worth the seeing. (Rambles.NET)

Michael Zirpolo's book is an immense blessing: it is the book on Bunny Berigan that we have been waiting for. Every page has a new story — funny, revealing, or sad — about this man who threw himself into his music so wholeheartedly that he played more in his brief lifetime than six or seven other (more well-behaved) musicians. But the book is also a Wicked Tempter, so beware! I have it on my kitchen table and whenever I walk by, Mr. Trumpet beckons to me. I read two pages, entranced, and I have to tear myself away by brute force to get on with the less entrancing parts of everyday life. Intoxicating, addictive, a good read, a page-turner . . . you name it. I wanted to say this now, right away, so that others could get hooked, too! (Michael Steinman Jazz Lives)

There have been intelligent articles, commentary, books, and record liner notes about Bunny Berigan in the past, but this new, panoramic biography by Michael P. Zirpolo easily surpasses all previous efforts.... Throughout the 550 pages and 25 chapters, Zirpolo provides, in an interesting narrative, all the necessary facts, and gives the work a proper and thorough context--something that has often been lacking in other book-length writings about the big bands. While as knowledgeable a swing aficionado as they come, he retains the objectivity needed to write the definitive biography of Berigan, and tells his story with understanding, compassion, and respect.

(Zirpolo) recognized the scope of Berigan's talents, the importance of his artistic achievements, and his standing in the big band business way beyond the classic recording of 'I Can't Get Started.' Significantly, he explains or corrects many heretofore misunderstood events in Berigan's life... including how Berigan became an alcoholic, why his marriage was unsuccessful, the nature of his friendship with Tommy Dorsey, and his relationship with Music Corporation of America (MCA)."

From cover to cover, Zirpolo's book has raised the jazz scholarship bar, and deserves a spot on the bookshelf along such pioneering and esteemed writers as Walter C. Allen, Whitney Balliett, John Chilton, D. Russell Connor, Stanley Dance, Chip Deffaa, Charles Delauney, Leonard Feather, John Flower, Edward F. Polic, Brian Rust, Gunther Schuller, Chris Sheridan, George T. Simon (whom, by the way, Zirpolo takes issue with for Simon's sometimes less-than-enthusiastic reviews of Berigan's talents), Richard M. Sudhalter, and Leo Walker.

Big Band Library rating: Supremely Excellent (Christopher Popa Big Band Library)


From time to time, the opportunity comes along to praise the dedication and hard work of a respected acquaintance. This is an especially pleasant opportunity when a book exceeds the already high expectations that one may have had in advance of publication....This book is the comprehensive and indispensable biography of Roland Bernard "Bunny" Berigan. The author is Michael Zirpolo.

Anyone interested in Bunny Berigan, his contemporaries, jazz and big band history will be riveted to this book from the moment that they open it. Michael Zirpolo has captured the essence of his subject. Not only does Michael's love and respect for Bunny create a very enjoyable read, his attention to detail and precision result in a most informative, thorough and balanced tour-de-force. The biography includes numerous previously unpublished photographs and a comprehensive broadcast discography.

Michael Zirpolo has captured the story of Bunny Berigan in an entertaining and informative read. I will not go on and give away all the details or the plot but suffice to say that there are revelations and surprises. My personal experience has been that with this book my understanding of an essential personality and talent of jazz and big band history has come to life in way that my superficial and anecdotal knowledge of the man from other accounts and recordings had never done justice to. I suspect that everyone else interested in the subject matter will come away feeling the same way. (Dennis M. Spragg, Glenn Miller Archive, American Music Research Center)

With Mr. Trumpet: The Trials, Tribulations, and Triumph of Bunny Berigan, Michael P. Zirpolo has established himself as the major authority on this great musician. Access to the massive archive of Berigan materials that Bozy White spent a half century collecting served Zirpolo well, for he plumbed it thoroughly, compiling a definitive record of Bunny’s professional life and using quotes from published reviews and interviews with those who worked with this trumpeter and bandleader to personalize his 520-page biography of a musician whom many, musicians and fans alike, would do well to familiarize themselves with. (W. Royal Stokes)

About the Author
Michael Zirpolo has been a practicing attorney since 1975. He has written numerous articles and presented many times on jazz musicians and the development of jazz from 1925 to 1960. He has served as a guest on radio programs and has digitally remastered vintage jazz recordings.

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1 of 1 people found the following review helpful.
Bunny Berigan
By wayne colburn
I loved this book on Bunny Berigan life and work as a jazz artist.it brought to life what Bunny was as a jazz trumpet player in the big band era.The writer Michael P Zipolo took great care to uncover the truth about Bunny Berigan and made it so very interesting.I also got a lot out his book because Bunny being my Grandfather ,i got a chance to get to know him through this great book. Wayne Colburn

2 of 2 people found the following review helpful.
All you ever want to know on Bunny Berigan
By Anthony John Faria
If you are a fan of Bunny Berigan music, this is a must. No matter how much you think you know about Bunny Berigan, you will learn a lot more from this Michael Zirpolo book. I had been reading anything and everything I could find on Bunny Berigan for 50 years and I learned a lot new from this book. A must for Bunny Berigan fans or anyone who loves great jazz music.

0 of 0 people found the following review helpful.
Superb - Great bio of Berigan and the entire swing era
By Trusted.Dealer
Superb! Great bio of Berigan and the entire swing era. The author does a great job citing to original source documents to tell the story.

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Jumat, 06 Februari 2015

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The Happy Commuter: Over 100 ways to improve and enjoy your commute, by Melissa Addey

The Happy Commuter is specifically targeted at transforming your journey into the office into one of the best parts of your day. So next time you’re staring into the abyss of your morning ride into the office, sit up straight, smile at a stranger, flex your pelvic floor and start wondering if the man opposite you could be the long-lost heir to a hidden fortune. I spy a bestseller. - The Evening Standard.

Commuting is bad for you. Really bad for you. If you commute for more than 45 minutes a day in each direction, you are more likely to be overweight, suffer from anxiety, stress, depression and social isolation. You are more likely to sleep badly and be exhausted, have high blood sugar (which could lead to diabetes), high blood pressure and cholesterol (which could lead to heart attacks) and experience neck and back pain. You may have lower life satisfaction and happiness than people who do not commute. Oh, and you are 40% more likely to get divorced.

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If you commute, you need to read this book.


Who’d have thought that commuting could be responsible for broadening your horizons, planning your future, improving your health and even pepping up your sex life? The time you spend commuting can be used to do all these things and so much more. If you want to add interest to your commute or make it a time you can use more productively, this is the book for you. It will certainly change your attitude – it may even change your life.

Peta Cottee, Director at Partners in Time
Lifestyle management and business support services for busy people

  • Sales Rank: #2392965 in eBooks
  • Published on: 2016-02-03
  • Released on: 2016-02-03
  • Format: Kindle eBook

Review
Who'd have thought that commuting could be responsible for broadening your horizons, planning your future, improving your health and even pepping up your sex life? The time you spend commuting can be used to do all these things and so much more. If you want to add interest to your commute or make it a time you can use more productively, this is the book for you. It will certainly change your attitude - it may even change your life. Peta Cottee, Director at Partners in Time

About the Author
I grew up on an organic farm in Italy and was home educated. Along the way I’ve worked for Sainsbury’s head office looking after the organic range of products as well as developing new products and packaging; for Roehampton University developing student entrepreneurs; done a Masters focused on creativity and worked as a business consultant on a government scheme for over six years offering mentoring, advice, training and grants to small businesses, mostly in the food sector. I now live in London with my husband, young son and toddler daughter, looking after the kids and writing. In 2016 I’ll be the Leverhulme Trust’s Writer in Residence at the British Library.

Most helpful customer reviews

1 of 1 people found the following review helpful.
This book could change your life.
By UKChick75
This book is fun and informative, if not a little scary in its descriptions of the ill effects of commuting. Having commuted for many years, I know realize the potential of time made available to me. Melissa has provided a number of easy changes I can make to enhance my life, just by using my commute more productively. Hurrah!

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Sabtu, 31 Januari 2015

[S578.Ebook] Download Ebook Biomedical Ethics: A Canadian Focus, by Johnna Fisher

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Biomedical Ethics: A Canadian Focus, by Johnna Fisher

  • Sales Rank: #2973986 in Books
  • Published on: 2013
  • Number of items: 1
  • Dimensions: 10.00" h x .74" w x 8.00" l,
  • Binding: Paperback

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Kamis, 29 Januari 2015

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The Ghost in the Machine, by Arthur Koestler

The Ghost in the Machine, by Arthur Koestler



The Ghost in the Machine, by Arthur Koestler

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The Ghost in the Machine, by Arthur Koestler

In The Sleepwalkers and The Act of Creation Arthur Koestler provided pioneering studies of scientific discovery and artistic inspiration, the twin pinnacles of human achievement. The Ghost in the Machine looks at the dark side of the coin: our terrible urge to self-destruction...

Could the human species be a gigantic evolutionary mistake? To answer that startling question Koestler examines how experts on evolution and psychology all too often write about people with an ‘antiquated slot-machine model based on the naively mechanistic world-view of the nineteenth century. His brilliant polemic helped to instigate a major revolution in the life sciences, yet its ‘glimpses of an alternative world-view’ form only the background to an even more challenging analysis of the human predicament. Perhaps, he suggests, we are a species in which ancient and recent brain structures - or reason and emotion - are not fully co-ordinated. Such in-built deficiencies may explain the paranoia, violence and insanity that are central strands of human history. And however disturbing we find such issues, Koestler contends, it is only when we face our limitations head-on that we can hope to find a remedy.

  • Sales Rank: #380260 in Books
  • Published on: 1982-10-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .89" w x 5.24" l, .99 pounds
  • Binding: Paperback
  • 400 pages

About the Author
Juif hongrois ne a Budapest en 1905, Arthur Koestler fait ses etudes a Vienne, puis devient journaliste en Palestine. Revenu en Europe, il adhere au Parti communiste allemand, trouvant la une reponse a la menace nazie, mais egalement seduit par l'utopie sovietique. Il part un an en URSS, puis participe a la guerre civile espagnole. A partir de 1938, ayant rompu avec le Parti communiste, il combattra sans relache le regime stalinien, notamment a travers son roman majeur, Le Zero et l'Infini. A partir de 1940, il vit en Angleterre, ou il se suicidera avec sa femme en mars 1983. Son oeuvre de romancier, philosophe, historien et essayiste lui vaut une renommee mondiale.

Most helpful customer reviews

29 of 29 people found the following review helpful.
A Fundamental Contradiction of "Biological and Cultural Man"
By Herbert L Calhoun
This, Koestler's crowning scientific analysis of the predicament of man (at least as that predicament is seen through the flawed eyes of the behaviorist model), is an impressive achievement. Other than the works of Ernest Becker ("Denial of Death," "Escape From Evil," and "The Birth and Death of Meaning," in particular), or Nietzsche's "Beyond Good and Evil," I know of nothing that even comes close to this panoramic, thorough and incisive, deconstruction, analysis and then synthesis of how man got into his present moral cul de sac. To say that this is a monumental critique of behaviorism and its underlying psychological models would be a gross understatement. There is simply nothing else in the intellectual universe that quite compares to it. Even to a trained Behaviorist like myself, it's clear exacting language alone puts it in an elite class of English writers comparable only to that of say, a Sir Winston Churchill. Or even for those who have heaped scorn upon Koestler's works, no one in search of a model of literary and intellectual clarity can do better than his writings. It is not accidental that Koestler's works on three occasions have been nominated for the Nobel Prize for Literature. Believe what he says or not, his exposition simply remains unsurpassed.

Unlike Becker, or Nietzsche, or even Kierkegaard, who all see man's confusing moral existence on earth as simply a monumental existential tragedy, urged along mostly by the confusion of his own narcissistic self-important, or his fear of death or his twisted drama of the web of cultural meanings and misunderstandings, Koestler sees it more as the pathological consequence of a series of specialized and cumulative evolutionary mistakes. As he puts it so well, "on the flip side of man's incredible creative abilities, is also his streak of insanity whose pathology is rooted in biology." That is to say, the pathology of the human mind: Man's belief in the unreal, in gods, devils, angels, monsters, totems and succubi; his will towards industrial scale hatred, racism, genocide and violence, and his general inability to be at peace with the imperatives of his own existence, are all rooted in brain architecture as much as in psychology. Koestler sees them as having their origins in the disconnection or misconnections between the old "instinct run," reptilian brain, and the new neo-cortex, or "rational, and abstract run," modern brain. Although Koestler was not the first to advance such a thesis, (and certainly many others have done so since 1967) no one has defended it quite as well and as elaborately as he has done here. In this, the third of a trilogy that includes "The Sleepwalkers and "The Act of Creation" (which I have also reviewed on Amazon.com), is the centerpiece of Koestler's rather prodigious work. This is the last scientific non-fiction book produced by him before he and his third wife Cynthia ended their lives in a joint act of "planned" suicide.

Koestler's story is beautifully written enough, complicated enough that no review can do it complete justice and anyway, one has to read the book carefully himself lest he run the serious risk of being misled by someone else's misinterpretations. Plus, Koestler's English is so beautiful that it would be a sin not to read every word of his text oneself. So I attempt a summary at the peril of getting some, if not most of what he says, wrong.

From the very outset, the most important suggestion one can make in trying to understand this work is to realize that Koestler, whatever else he may be, is a "pure systemic thinker." He sees the world and the whole of biology through the eyes and language of the General Systems Theory of my mentor Charles A. McClelland, or of his mentor Ludwig von Bertalanffy. The core concept of this exposition thus is a system theoretic concept coined by Koestler, and which has since become part of the General Systems Theory vernacular. It is the idea of a "holon," which described loosely, is a subsystem with the property of being able, as needed, to act completely independent of a "host," and thus able to sustain itself as a whole system. While a "holon" can (and usually does) engage in symbiotic relationships with larger super-ordinate systems, it does so purely in a synergistic way that is as much discretionary as a biological imperative.

Koestler's biological world is populated completely by organisms that are multi-level "ordered" and open hierarchical systems, connected at all levels via "holons." It goes almost without saying that he also sees man as the most elegant and complex of such "ordered" open and hierarchical systems. Once he has set up his intellectual machinery, the author spends what seems like an inordinate about of time, using elaborate examples to demonstrate the difference between the "nonlinear hierarchical systems approach" to biological evolutionary specialization and the more "linear serial mechanistic approach," between open and closed systems; between "flat" or disordered systems and ordered hierarchical ones, all as a build up to his main entree, which is to demonstrate the consequences of the grand disconnect, or misconnect, (or better yet, crude overlap) between man's old reptilian "instinct run" brain and the new neo-cortex, or "abstract, or rationally run" brain.

According to Koestler, the process of evolutionary improvements is nether pretty, nor orderly. It is beset with trial and error, fits and starts, dead ends, switchbacks, retrogression, and recycling of formerly discarded parts. And all these mishaps are more the rule than the exception. With the explosive development of the brain (which even today still remains unaccounted for), it is Koestler's view that something went horribly wrong with the connections between the old and the new brain. It is one of man's most enduring dilemmas that he has failed to reconcile the differences between the competing imperatives of his "instinctual" and his "rational" brains.

One, the "instinctual" brain, has led to the primitive behavior that characterizes the worst of man's excesses, i.e. is to racism, the genocide of the holocaust, nuclear war, religions, and more generally to a fear-based cultural and social existence. While the other, the neo-cortex based rational brain, has led to artistic and scientific creativity and discovery, and most of all, to most of human and cultural progress as we now have come to know it. In the contest between these two competing imperatives, Koestler sees the reptilian brain winning out and dominating the rational brain. And it is this dominance that he worries is continuing to lead man and civilization down a path to self-destruction.It is this disconnect that has allowed man's development in weapons technology to out run his capacity for peacemaking. It is this mismatch that is most likely to lead to a nuclear holocaust and the end of civilization.

Koestler's incredible solution to this problem is to have us re-enter Adolph Huxley's "Brave New World" of pharmacologic medication, with a vengeance. The rationale for medicating "cultural man" and its leaders, (as oppose to individuals) as a way of fixing God's biological error, is that human processes are mostly regulated by chemistry anyway, so there is nothing inherently unusual or anti-human about fixing mishaps in brain architecture via chemical manipulation.

While many of Koestler's critics howled at this suggestion, they probably did so more because they were aware that at the time, Koestler's was busy consorting with Timothy Leary as one of Leary's first experimental LSD subjects, than due to any lack of soundness of his arguments. Based on the logic and soundness of what we now know about human nature and biological processes, Koestler's suggestion does not sound quite so outlandish as it did 40 years ago. And as novel as it may still seem, it has considerable scientific merit, even if it is wholly unacceptable to our reptilian dominated cultural brain. The larger point however, is likely to give Koestler the last laugh, for if any one has not missed it, in our present Prozac run culture, Koestler's fix appears to be happening de facto, one person and group at a time, by default, anyway, no matter what his critics may say or think. Fifty stars.

57 of 62 people found the following review helpful.
The Evil that Men do
By R Bell
When I first read this book I was stunned... and as one of the other reviewers said, baffled by why he produced that ending! (it's the ending which has "taken" one star off my rating). Always the polymath, Koestler starts by covering psychology, including Skinner's experiments with rats and subsequent theories on human nature which he pulls apart thoroughly. Koestler then comes out with the unfashionable theory that the human brain may have evolutionary flaws in it, since it was merely built on the older more primitive brains of its ancestors and the new and old parts do not always communicate well with one another. Partially because of this we have a lot of the problems of human life such as the urge to self-destruction and violence, which emanate from the older parts of the brain. He ties this in with history and if I remember, results of some shocking experiments. It has lost some of its immediacy since the end of the Cold War (nuclear bombs are still with us more than ever in Israel, Pakistan, India, China etc).
While I have simplified some of the book's ideas above, it is not always light reading, but it can be read by a layman. I think some of the subjects Koestler tackles are taboo (such as the idea humans overall are instrinsically "evil") rather than innately good, and he dismisses wishful thinking. Some people do take issue with his ideas... unfortunately some of the attacks are ad hominem... but where they aren't I suggest you examine very carefully both sides of the story. The message in this book is still pertinent enough, even if the proposed solution isn't.
(if you would like to read more on Koestler, read my review and others, about Cesarani's biography of him on this site)

72 of 80 people found the following review helpful.
Pride covetousness lust anger gluttony envy & selfishness?
By Imaginary Albums
�A man coins not a new word without some peril; for if it happens to be received, the praise is but moderate; if refused, the scorn is assured.�
So wrote Ben Jonson, and so quoted Arthur Koestler on page 48 of his The Ghost in the Machine (1967). Koestler inserted the quotation to express the uneasiness he felt at suggesting a neologism. The very useful word he coined��holon��seems to have gone tragically underappreciated, while Koestler has, I suspect, not received much in the way of scorn for his impudence (at least in this respect). Jonson was wrong. A man coins not a new word without some peril, it�s true. But the nature of the peril is this: if it happens to be received, the praise is but moderate; if refused, the coiner gets not even scorn.
What is a holon? Coined from the Greek holos (whole) and the diminutive suffix -on (after the pattern of proton, electron, etc.), the term holon �may be applied to any stable biological or social sub-whole which displays rule-governed behavior.� Koestler writes:
Parts and wholes in an absolute sense do not exist in the domain of life.... The organism is to be regarded as a multi-leveled hierarchy of semi-autonomous sub-wholes, branching into sub-wholes of a lower order, and so on. Sub-wholes on any level of the hierarchy are referred to as holons. Biological holons are self-regulating open systems which display both the autonomous properties of wholes and the dependent properties of parts. This dichotomy is present on every level of every type of hierarchic organization, and is referred to as the Janus Effect.... The concept of holon is intended to reconcile the atomistic and holistic approaches. (Appendix I.1; scrambled somewhat for conciseness.)
The first third of Koestler�s book, the section titled �Order,� is dedicated to the concept of the holon, and his introduction to open hierarchic system theory. The versatility and universality of the holon concept should have guaranteed its entry into the language. Its prevalence in all ordered, i.e. hierarchic, systems, and particularly biological organisms, Koestler illustrates through the parable of the two watchmakers, Mekhos and Bios. Their watches are of equal quality and of equal complexity (a thousand pieces each) but their methods of production differ. Bios builds durable sub-units of ten pieces each, ten of which can be joined together to create a secure sub-assembly of one-hundred pieces�and ten sub-assemblies, of course, make one complete watch. Mekhos, on the other hand, adds one piece at a time, seriatim; as such, any interruption requires him to start afresh. Bios�s method is clearly superior not just because an interruption will only set him back, at most, nine steps (versus Mekhos�s possible 999), but because Bios�s watches will tend to be much sturdier than Mekhos�s. �It is easy to show mathematically that if a watch consists of a thousand bits, and if some disturbance occurs at an average of once in every hundred assembling operations�then Mekhos will take four thousand times longer to assemble a watch than Bios. Instead of a single day, it will take him eleven years.� Consequently, Bios�s business thrives, while Mekhos barely manages to scrape by.
Biological systems (Bios), in other words, are not just vortices of chance patterns constrained by deterministic mechanical laws (Mekhos); they are hierarchic systems made up of Janus-faced, quasi-independent holons. In �Becoming,� the second part of the book, Koestler discusses evolution in holarchic terms, citing organelles (e.g. mitochondria) and homologous organs (e.g. the human arm and the bird�s wing) as examples of evolutionary holons�sub-units which appear, with striking similarity, across countless discrete species. Just as nearly every company has an IT department, every cell has chemical power plants which extract energy from food. And just as automobile designers do not overhaul but rather perform variations on basic components such as the engine, chassis, or suspension system, evolution progresses by making small changes to existing tried and true mechanisms�the arm of the human, the wing of the bird, the leg of the dog, and the flipper of the seal, however different in appearance or function, are all made of bones, muscles, and blood vessels.
This tendency to recycle old parts has its risks as well as its obvious benefits, however. The legacy systems don�t always interact smoothly with the enhancements. This is essentially the thesis of the third part of the book, �Disorder�: that it is not unreasonable to assume that, considering the �explosive rate of the brain�s development, which so widely overshot its mark, something may have gone wrong ... More precisely, that the lines of communication between the very old and the brand-new structures were not developed sufficiently to guarantee their harmonious interplay, the hierarchic co-ordination of instinct and intelligence.�
In short, Koestler blames the dominance of instinct over intellect�the latter�s subservience to the former as physiologically manifest in the neocortex�s subjection to the brain�s more reptilian limbic systems�for not only humanity�s spectacular social and moral cataclysms, but the halting, erratic progress of science as well. The �passionate neighing of affect-based beliefs� prevent us from listening to the voice of reason. This is why all moral exhortation, all efforts of persuasion by reasoned argument, are doomed to failure; they
rely on the implicit assumption that homo sapiens, though occasionally blinded by emotion, is a basically rational animal, aware of the motives of his own actions and beliefs�an assumption which is untenable in the light of both historical and neurological evidence. All such appeals fall on barren ground; they could take root only if the ground were prepared by a spontaneous change in human mentality all over the world�the equivalent of a major biological mutation.
The solution to our predicament is sketched out and advocated by Koestler in the final few pages of The Ghost in the Machine; it is, to put it succinctly, a pharmacological one. Readers will bristle at the contentious, and some might say contemptible, declaration that mankind�s only hope for long-term survival is through medication, but to me the answer seems logical enough. If we agree that something has gone awry in our phylogenetic development, and it seems an anodyne enough hypothesis, then nothing short of �tampering with human nature� can rectify the pathology of our species, which has been so garishly demonstrated in holocaust after holocaust. And as Koestler is himself quick to point out, we tamper with our nature every day, and have done so �ever since the first hunter wrapped his shivering frame into the hide of a dead animal.� It could be argued that part of our problem has been tampering: Pasteur et al. tampered on a microscopic level, and with colossal repercussions. No one would seriously propose a voluntary abjuration of antibiotics, however, in order to cull the herd a bit. We can only move forward.
Let�s be explicit: we are considering an overpopulated, irrational, imbalanced species equipped with the ability to manufacture weapons of genosuicidal magnitude�an ability which will not evaporate:
As the devices of atomic and biological warfare become more potent and simpler to produce, their spreading to young and immature, as well as old and over-ripe, nations is inevitable. An invention, once made, cannot be dis-invented; the bomb has come to stay. Mankind has to live with it forever: not merely through the next crisis and the next one, but forever; not through the next twenty or two hundred or two thousand years, but forever. It has become part of the human condition.
�The Promethean myth,� Koestler goes on, �has acquired an ugly twist: the giant reaching out to steal the lightning from the gods is insane.� With this in mind, the advent of a suggestibility-curbing pill��an artificially simulated, adaptive mutation to bridge the rift between the phylogenetically old and new brain, between instinct and intellect, emotion and reason,� to �counteract misplaced devotion and that militant enthusiasm, both murderous and suicidal, which we see reflected in the pages of the daily newspaper��seems relatively benign. We cannot ask people to be more rational, more thoughtful, less susceptible to blind passion, bigotry, murderous devotion.
I sympathize with Koestler�s proposal, but I am pessimistic as to its practicality. And I think he might have overlooked the possibility that suggestibility and subservience to the affect-based beliefs might be the very epoxies holding society together�for better or for worse.
Consider Heinrich Eichmann who, as Koestler observes, �was not a monster or a sadist, but a conscientious bureaucrat, who considered it his duty to carry out his orders and believed in obedience as the supreme virtue; far from being a sadist, he felt physically sick on the only occasion when he watched the Zircon gas at work.� He was, in other words, the perfect cog, a smoothly functioning holon in something larger than himself. He was a good citizen in a bad society. Where exactly does his sin lie? Where his pathology?
�War is a ritual, a deadly ritual, not the result of aggressive self-assertion, but of self-transcending identification. Without loyalty to tribe, church, flag or ideal, there would be no wars; and loyalty is a noble thing.� And Solzhenitsyn wrote:
Ideology�that is what gives evildoing its long-sought justification and gives the evildoer the necessary steadfastness and determination. That is the social theory which helps to make his acts seem good instead of bad in his own and others� eyes, so that he won�t hear reproaches and curses but will receive praise and honors.... Thanks to ideology, the twentieth century was fated to experience evildoing on a scale calculated in the millions. How, then, do we dare insist that evildoers do not exist? And who was it that destroyed these millions?
Perhaps here�s a way of daring to insist that evildoers do not exist: by declaring, instead, that only bureaucrats exist. We could move up the hierarchy and blame everything on its head (Hitler in this case) but frequently the hierarchy has no head�perhaps there is only an amorphous board of directors; perhaps the hierarchy is open-ended�and of course no hierarchy operates in a vacuum, and no hierarchy can function without its sub-holons.
Eichmann, we feel compelled to say, was as culpable as anyone�i.e., fully, or not at all. In him, perhaps, we are given a glimpse of the true nature of contemporary �evil�: conscientious bureaucracy; obedience as the supreme virtue. The integrative tendency, the desire to transcend the self, the desire to belong, to fit in, to function as a part of some larger organization, to serve something larger than the petty ego�this is what stymies intellectual progress and permits wars and pogroms. Death camps cannot be implemented without a stable hierarchic society to carry out the plan; humans cannot exterminate one another on such a cosmic scale without first getting along.
�The self-assertive behaviour of the group is based on the self-transcending behaviour of its members, which often entails sacrifice of personal interests and even of life in the interest of the group. To put it simply: the egotism of the group feeds on the altruism of its members.� This is the most important revelation in Koestler�s book: that the virtuous, self-denying, self-transcending, integrative urges are far more dangerous than the self-assertive ones.
And this urge to integrate, to belong, to blindly submit to the rules of the social holon you belong to, is the warp and the woof of the fabric of society. It may well be instinctual�it may well be written in our genes�because it is implicit, inescapable, a necessity in any hierarchic system. The human individual is truly Janus-faced because his or her self-assertive and integrative inclinations are at odds, true, but also mutually dependent. To do what�s best for your group is in fact what�s best for you; self-surrender is self-preservation. If the body dies, so do all of its cells.
What would we have had Eichmann do? We fancy that we can imagine a scenario in which his refusal to administrate the death camps (a pang of conscience prompted, in our thought experiment, by Koestler�s Pill, perhaps) might have made some difference. �He could have conscientiously objected,� we say from the smug safety of our armchair. And then what? He probably would have been exterminated, and someone with less compunctions, someone with a stronger desire to fit in, put in his place.
Hegel has said that �What experience and history teach us is this�that people and governments have never learned anything from history, or acted on principles deduced from it.� If this is true, it is probably unnecessary to pose this question: Have any of us learned anything from, for example, the Holocaust? How would we, as people or governments, prevent a repeat? We glibly take it for granted that nothing so horrific, and in so recent memory, can have failed to make us a little more jaded, a little less na�ve, a little less susceptible to mass hysteria or national insanity�and we leave it at that. Here�s all we�ve really learned: Nazis�bad. Hitler�real bad. Case closed. But of course the next Nazis will not call themselves Nazis; the next Hitler won�t have the mustache.
What we should have learned, perhaps, is that our suggestibility needs to be curbed; that each of us has an obligation to be extremely careful about which holons we allow ourselves to be subsumed by; that our integrative tendencies need to be reined and restrained. Before we resort to pharmacology, we should presumably attempt education. So maybe we should be indoctrinating our children with the belief that blindly accepting indoctrination can be disastrous. �Oh. You see the problem.
Koestler�s Pill, or any equivalent thereof, might well dissolve society. If we were properly critical, properly rational, all the time, if we took nothing on faith, we would never learn. The paradox is that the march of science is founded on credulity. Specialization, which has become more or less prerequisite to progress in any field, is a hierarchic branching out and narrowing down of knowledge. If every generation of physicists had to rediscover the electron, no one would have ever got to the quark; if I paused to evaluate, to impugn, to prove every one of the �statements of fact� I�ve received from parents and professors, television and textbooks, over the course of my lifetime I would probably never have graduated from high school. In fact I am critical of very little. How could I afford to be? We stand like Newton on the shoulders of giants but only because we trust the giants enough to get up on their shoulders�when of course they could dash us to the earth if they so desired. Jacob Empson has written (in Sleep and Dreaming):
Rather than modern Western beliefs being less mystic than those in antiquity, or in underdeveloped communities, they seem equally if not more so than some. It could be argued that the very incomprehensibility of the modern world has made us even more credulous. Many of the quite commonplace products of modern technology might as well be magic, for all that any normal person could be expected to understand how they work.
The human race is an unfathomably complex network of overlapping open-ended hierarchies; it is a juggernaut trundling forth, with no one at the helm.
And so too is each one of us. How can it be otherwise?
This is one of the best books I've read in a while. Koestler's erudition, humanity, and prose are nonpareil. Read it and make up your own mind -- it's your moral imperative.

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