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Editor Jill Mullin is the recipient of the inaugural Felix in Art Award, presented by Extreme Kids & Crew!
"Drawing Autism highlights an 'area where individuals with autism can have great abilities.'...Jill Mullin, a clinical therapist, explores the recurring themes in art made by people with autism."
--New York Times Book Review
One of Brain Picking's Best Art, Design, and Photography Books of 2014
"This book is a testament to the power of art to reveal the inner world of people living with ASD."
--Publishers Weekly
"A jaw-droppingly beautiful book."
--Library Journal
Included in the Milwaukee Journal-Sentinel's "96 Books For Your Summer Reading List" under "7 Visually Appealing Books"
"Drawing Autism is not just a book about autism and art--it's a book about being human and expressing selfhood in all its beautiful, messy, complex forms. Add Drawing Autism to your wish list, tell your friends about it, and show it to your kids on the spectrum."
--Autism/Asperger's Digest
"Mullin, a behavior analyst, brings together fascinating works by 40 artists on the spectrum with their answers to her questions about their process."
--The Boston Globe
"Editor Jill Mullin has collected artwork from a host of painters and other graphic artists who are all somewhere on the spectrum. The fascinating and often lovely reprints in Drawing Autism help provide another perspective on the capabilities of people with autism."
--Time Out New York
"Mullin's clinical background in Applied Behavior Analysis, combined with more than a decade helping individuals with ASD, serve her well as the book’s curator."
--The Portland Phoenix
"[Editor Jill Mullin] has put together a beautiful and stimulating exhibition-in-a-book."
--Story Circle Book Reviews
"Drawing Autism is absolutely wonderful in its entirety."
--Brain Pickings
"Jill Mullin embraces the full range and spectrum of autism and artistic expression...Rich and varied images."
--BookTrib
"This book is like a key to opening doors across educational and medical landscapes. But perhaps even more importantly, the fact that many of the artists are able to explain what they were feeling at the time of their drawings will surely help this book find solid footing among parents, caregivers, and extended family members who have, up to this point, struggled to understand the inner workings of their precious loved one’s autistic mind."
--New York Journal of Books
"A book of astonishing beauty."
--BOOKS (France)
"What is the actual experience of living with autism in a deep-felt sense, beyond the social stereotypes and headline-worthy superskills? Drawing Autism, a celebration of the artistry and self-expression found in artwork by people diagnosed with autism, explores just that. The stunning volume features works by more fifty international contributors, from children to established artists, that illustrate the rich multiplicity of the condition."
--The Atlantic
Over the last decade autism spectrum disorder (ASD) has become an international topic of conversation, knowing no racial, ethnic, or social barriers. Behavior analyst and educator Jill Mullin has assembled a staggering array of work from established artists like Gregory Blackstock and Jessica Park to the unknown but no less talented. Their creations, coupled with artist interviews, comprise a fascinating and compelling book that serves to educate and inspire anyone who knows someone diagnosed with ASD. Mullin's introduction and the foreword by best-selling author Temple Grandin provide an overview of autism and advocate for nurturing the talents, artistic and otherwise, of autistic individuals.
- Sales Rank: #197584 in Books
- Published on: 2014-03-25
- Original language: English
- Number of items: 1
- Dimensions: 10.90" h x .80" w x 7.90" l, 1.70 pounds
- Binding: Paperback
- 160 pages
Review
"Drawing Autism is a drop-dead beautiful book that celebrates the artistry and self-expression found in the drawings, paintings, and collages created by individuals diagnosed with autism. It is a stunning, thoughtful and yes, HOPEFUL book that is not just for families touched by autism, but for all who are curious about the disorder."
--Examiner
"If you're a practicing or aspiring art therapist, this book is essential reading and it also offers the casual reader an insight into this curious strand of outsider art."
--Grafik Magazine
About the Author
Jill Mullin, MA MSEd BCBA, is a New York City-based behavior analyst who has been working with individuals with ASD since 2000.
Temple Grandin, PhD, is considered the most accomplished adult with autism in the world. She is the author of several books, including the best sellers The Way I See It and Animals in Translation.
Most helpful customer reviews
12 of 13 people found the following review helpful.
The soul of autism in form and color
By Dennis Littrell
This art book is primarily a celebration of form and color as done by artists on the autistic spectrum. I counted 53 different artists with a wide range of styles. Just to note a few: there is the blueprint precision of Temple Grandin, the cubist-like work of Wil C. Kerner, the pointillism style of Esher Brokaw, the cartoons of Justin Canha and Glen Russ, the categorical detailed work of Gregory L. Blackstone, the ethereal anguish of Marilyn Cosho, and many more. I felt an overall sense of estrangement and longing that is at the heart of the human predicament. We are both part of this world and estranged from it; we are among family and friends and yet we are alone. We feel the contradictions and the confusions of life and we try to make sense of it.
I think it was at least partially the intent of Jill Mullin, who edited the book and conducted the interviews with the artists, to allow the artwork to reveal the unique soul of autism. She writes: "...I sorted the work so that it provides an overview of the spectrum while celebrating the creative individuality of every single person on the spectrum. These themes and visual tendencies do speak to aspects of the diagnoses." (p. 13)
We, so-called "normal" people, necessarily see the world in a utilitarian sense heavily colored by subsistence and social need. Consequently I have always thought that one of the things that an artist must do is free our minds from the prison of utility in which we see the world only in so far as it is useful to us or not. While most manmade objects in our lives are useful for something, art is its own reason for being.
It is in this context that I find this book most interesting. Some autistics naturally see things as they are, without the coloration of utility. Temple Grandin, who wrote the introduction for "Drawing Autism," is probably the most famous autistic in the world. (A movie about her life, Temple Grandin (2010), starring Claire Dane in the title role has recently been aired on HBO.) She is an artist herself although her work is enormously precise and detailed and in fact of great utility. But much of the "utility" in her designs for the livestock industry shows that she sees the design from the point of view of the animals themselves, and that is the secret of her success. Most designers of such equipment would naturally be interested in designs that work for the company, and would be unlikely to see things from the point of view of the animals. But Grandin did, and because the equipment that she designed calmed the animals, the equipment proved to be very useful to the industry and a godsend to the animals.
Similarly the art of Donna Williams, for example, as shown in this book depicts a unique, non-utilitarian, non-social point of view. In "Cat's Home" (p. 20) she identifies with a homeless cat. In "The Outsider" on the next page, she identifies with someone outside a social network. She says, "Being object blind and context blind, I'd tap everything to make noise, to hear its 'voice,' flick it to feel its movement, turn it to experience how it caught light..." (p. 21) The "normal" person would not see the object beyond what it is useful for, and the context would be monetary, social or sexual.
Professor Grandin sees three types of specialized minds on the autistic spectrum. First there is the visual thinker who sees the world primarily in pictures like herself. The second type is the pattern thinker who see relationships between numbers and geometric forms. The third type is the word specialist. Grandin notes, "These people are often really good with words, and they usually are not interested in art." I think people of this third type are often recognizes as "Aspies," or people with Asperger's syndrome, which is now considered part of the autistic spectrum of disorders--a designation that has been met with much controversy.
One thing is clear: most of those on the spectrum have reduced social skills and so can examine and experience the world from an outsider's perspective. In other words, we can learn from them things we could not learn by ourselves, and we can gain from them a view of the world cleansed of utilitarian bias. But it is also obvious from looking at the work of the autistic artists presented here that there is a great yearning for social acceptance and understanding.
(Note: The following books by Dennis Littrell are now available at Amazon.com:
Yoga: Sacred and Profane (Beyond Hatha Yoga)
Dennis Littrell's True Crime Companion
Novels and other Fictions
Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!
The Holon
Teddy and Teri
High School from Hell
Let's Play Overkill!
Like a Tsunami Headed for Hilo
Understanding Evolution and Ourselves
Coming soon:
The World Is Not as We Think It Is)
9 of 10 people found the following review helpful.
Art Describes the World of Autism
By Grady Harp
Jill Mullin opens this very sophisticated and well-designed book with a foreword titled AS SEEN THROUGH THE AUTISM SPECTRUM in which she opens with the statement ' Autism Spectrum Disorder (ASD) is a developmental disability associated with social interaction and communication impairments and rigid and/or repetitive behaviors.' She then proceeds to study the visual manifestations of autistic people by presenting a book, every page of which is filled with not only full color reproductions of 'artists' presenting their art accompanied by a brief but telling note by each person whose art is displayed.
By deciding to allow the art speak for itself Jill Mullin, who comes to this project with years of experience working with both children and adults with autism, makes a strong statement about the manner in which the mind of autistic people view the world. She asked every artist represented in this book the following questions: At what age did the act of creating art enter your life?, Why did you start creating art?, What inspires/excites you about creating art?, How do you choose your subjects?, Do you think your art helps others understand how you view the world?, Who are some artists you like?, What was the inspiration for each piece of art that you have submitted to 'Drawing Autism'? What follows is a splendid portfolio art from a number of very gifted artists. This is a book not only about autism but also about the spectrum of art being created today. It is entertaining, enlightening, and another well designed publication from Mark Batty Publisher. Grady Harp, November 09
3 of 3 people found the following review helpful.
Drawing Autism by Jill Mulin, Temple Grandin
By Ellen Archer
Drawing Autism is a collection of art created by people who are on the autism spectrum. For some of the artists, art is the only way of communicating their experiences as a person with autism. But whether the art is highly sophisticated, emotionally powerful, playful, technically amazing or naive, the cumulative experience of this book is astonishing. There is an introduction by Temple Grandin describing how drawing became her entry into what became her very successful career and the book is then divided into themes. Each chapter consists primarily of art-paintings, collages, drawings, mosaics, a wild and exciting diversity of media and subjects, accompanied by a small amount of text written by the artist.
Jill Mullin has done a wonderful job of selecting the art. Each piece is beautifully reproduced and the companion text is taken from a questionnaire filled out by the artist. In some cases, the answer was dictated to someone who wrote it down and in a few cases, the artist is non-verbal and a caregiver has answered. The text is often fascinating and complements the work but it is the work that amazes. I couldn't put the book down. I am not an artist so I cannot critique the work technically but the emotional power was undeniable and the range of art breathtaking.
I am both a teacher of students with autism and the mother of a son who is on the spectrum and perhaps that contributed to the impact of the work. But I believe that the power of the art would be there anyway. Through art, through the use of color, pattern, drawing, subject matter, these peoples have created a powerful communication about their lives and the gift of creativity. Through art, some without any other voice, speak more clearly than many of us with words. There are expressions of grief and longing, self-definitions, sharing of joy and playfulness, that reach far beyond the page. This is a book I will continue to treasure and return to again and again.
I won this book from LibraryThing, and I feel so lucky! The only critique I have is that the type is so small.
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